![]() ![]() ![]() It’s every bit the epic procession befitting the burial of a rock legend. The instrumental opening, building through waves of ARP synthesizer provided by engineer David Hentschel, is wildly unprecedented for an Elton John album - really sounding more like something that should’ve appeared on Pink Floyd’s Wish You Were Here a year or two later - but serves as the perfect instrumental fog for his own elegiac ivory-tickling to gradually emerge from, hammering out a dolorous melody that nonetheless has an unmistakable Elton vibrancy to it. In fact, the “friend” in “Funeral For a Friend” is not any of Elton’s gone-too-soon compatriots, but Elton himself: He explained in 1976 that he wrote the dirge-like first movement to the Goodbye Yellow Brick Road opener while picturing the music he would like played at his own funeral, because, “I’m hung up on things like that.”Įlton having such preoccupations is hardly surprising - nor is it particularly shocking that the self-assigned task of soundtracking his own sepulture ultimately led to his creating the signature two-part masterpiece of his entire career. And he’s almost met his own demise a handful of times, both by accident and at least partially by his own partial intent - and his experiences with suicidal thoughts, whether sardonic or straight-faced, have also also made their way into some of his songs. He’s had a staggering number of good friends suffer premature ends, including two - truly unthinkable - who were assassinated. He’s had hits paying tribute in some way or another to real-life figures who had passed (“Song For Guy,” “The Last Song,” the multiple versions of “Candle in the Wind”) and deeper cuts imagining the deaths of fictional ones (“Ticking,” “The King Must Die,” “Son of Your Father”). It’s not an exaggeration to say that death has hung over most of Elton John’s career. To everyone else, come blast off with us on a timeless flight into one of the most out-of-this-world catalogs in the history of popular music. It’s all still just scratching the surface of his generations-spanning career - and we’ve no doubt there’s plenty more to come - but whether your own Reginald Dwight journey has been more of a yellow brick road or a tumbleweed connection, we expect you’ll find plenty here to love. To celebrate that upcoming personal milestone (though given his own historic birthday commemorations, ours will likely pale in comparison) we’ve put together a list of our 75 favorite Elton John songs. ![]() He’s also got one of the top five songs in the world, right now, just a day removed from his 75th birthday. He’s got the more intangible career markers, too: iconic movie sing-alongs to his songs, groundbreaking performances alongside unlikely collaborators, a key role in the childhood of anyone who was of Disney-watching age in 1994. ![]() He’s got the greatest-selling single of the last 50 years, with a song he says he’s played a total of three times and listened to exactly once. 1 albums, the Rock and Roll Hall of Fame induction, the Walk of Fame star, the Kennedy Center Honor, the knighthood. Arguably no artist outside of The Beatles has meant more to both the pop and rock canons over the last 60 years than Elton John, having accomplished nearly every measure of success and longevity that a musician could hope to achieve in either genre. One thing is for sure, though - you’ve got plenty to choose from. It can make any discussion about your Elton favorites feel like a schizophrenic experience. On the other hand, he’s Elton John the rock singer/songwriter - the guy who idolized Levon Helm and Leon Russell, who (along with longtime creative partner Bernie Taupin) made entire Western-themed albums without pulling any singles from them, who found late-career inspiration in such artists as Ryan Adams and Low Cut Connie, who co-penned some of the most covered piano ballads in history, who at the end of the day was just one half of The Captain and the Kid. On one hand, he’s Elton John the pop idol - the guy behind the outrageous fashion statements, the celebrity duets, the expansive albums and tours, the cross-platform ubiquity, and the many, many iconic smash hits. Trying to evaluate the totality of Elton John’s legendary 50-plus-year run as a musician is a tricky proposition, because in many ways, his career has always run on two separate tracks. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |